Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.
[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].
THERE IS ONLY ONE STORY
THE HERO'S JOURNEY:
a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.
b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.
c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).
d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.
and more...
*****Shape Shifter*****
Meeting or engaging with a Shape Shifter is common at this stage of the Journey (Middle Cave of the First Threshold). Certain commonalities are frequent, including:
Unique Capabilities. It is demonstrated that the Shape Shifter has unique capabilities. In A Fistful of Dynamite (1971), Dr. Villega helps Juan beat the police. In Star Wars (1977), Han owns the Millenium Falcon.
Hero Competitor. In another situation, the Shape Shifter could be the Hero. In Raiders of the Lost Ark (1981), Belloq knows the he and Indy are very much alike.
Clash of Personalities. As the Hero and Shape Shifter are so alike, they often clash.
Romantic Competition. The Shape Shifter often challenges the Hero for the Romantic Challenge. In The Matrix (1999), Cypher is in love with Trinity and attempts to woo her. In Raiders of the Lost Ark (1981), Belloq gives Marion a dress. In Out of Africa (1985), Bror challenges Denys ("you could have asked, Denys...")
Necessary. The Shape Shifter is often needed for the Journey. Else he (or she) comes along anyway). In Star Wars (1977), Han needs convincing. In Raiders of the Lost Ark (1981), Belloq travels to Egypt, only with the Nazis.
Cynicism. The Shape Shifter is often cynical of the Hero. In The Matrix (1999), Cypher doesn't believe that Neo is the One. In Jason and the Argonauts (1963), Acastus is cynical of Jason.
Suspicion. Suspicion about the Shape Shifter's loyalties is raised.
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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....
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