Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: RESISTANCE TO THE CHANGING OF THE SELF

The Changing of the Self is not easy. Resistance to it [Transformation] is common and most often manifests itself as the Hero et al cross the border between Worlds and Selves.

In Alien (1979), the Nostromo has a bumpy ride while landing on the planet.

In Elizabethtown (2005), Drew tries to get to Elizabethtown but he, frustratingly, loses his way. Even though he is somewhat keen reach his destination.

In Educating Rita (1983), Rita can't get through Dr Bryant's door.

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

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Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: EVERY GOOD HERO HAS AT LEAST FOUR CORE CHALLENGES (FIVE CORE CHALLENGES ARE COMMON)

In every successful Hollywood story, there are a number of challenges to be resolved. It is not uncommon for the Hero to have at least Four Core Challenges (Inner, Outer, Romantic, Greater Antagonism) and each is mapped onto the Hero's Journey and resolved in a very specific order.

In American Beauty (Academy Award Winner Best Film 1999), Lester Burnham's Inner Challenge is to feel good about himself, his Romantic Challenge is Angela, his Outer Challenge is his marriage with Carolyn and the Greater Antagonism is Col. Frank Fitts, US Marine Core.

In Top Gun (1986, receipts of $176,000,000), Maverick's Romantic Challenge is Charlie, his Inner Challenge is his personal and father's story, his Outer Challenge is getting over Goose's death and the Greater Antagonism is becoming Top Gun.

In Titanic (Academy Award Winner Best Film 1997; No. 1 All-Time USA Boxoffice with receipts of over $600,000,000), Rose's Inner Challenge is to overcome her committment to her mother as well as Jack's lower status, her Romantic Challenge is Jack, her Outer Challenge is Cal and the Greater Antagonism is escaping the sinking ship.

Find out what the Fifth Core Challenge is in the 510+ stage Hero's Journey at: http://www.clickok.co.uk/ClassicHero.html

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: INTO A NEW WORLD AND TOWARDS A NEW SELF

The idea of the Hero entering a New World and venturing towards a New Self should not be taken lightly in storytelling. It is the essence of the Hero's Journey and is symbolically prevalent in the vast majority of successful stories. So much so that this process is the skeleton around which your story should be based:

In Dead Poets Society (Academy Award Nominee Best Film, 1989), the boys arrive in their new school - the New World in which the boys will evolve.

In Platoon (Academy Award Best Film, 1986), Taylor arrives in Vietnam - the New World in which Taylor will evolve.

When Harry met Sally (1989), both Harry and Sally travel from Chicago to New York - the New World in which both shall evolve.

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: GAINING CAPACITIES

As the Hero et al venture forth, they gain capacities. It is the accumulation of these capacities that allow the Hero et al to ultimately conquer their challenges.

In Gran Torino (2008), Thao gains the capacity to confront the gang.

In Slumdog Millionaire (2008), Jamal gains the capacity to confront his older brother.

In The Curious Case of Benjamin Button (2008), Benjamin gains the capacity to win over Daisy.

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: EVERY HERO GETS A NEW NAME

Every Hero transforms from an Ordinary (Old) Self to a New Self. The emergence of the New Self is demonstrated in a number of ways. One of these is the receiving of a New Name.

In City Slickers (1991), before Mitch, Phil and Ed set off on their Journey, they're "City Slickers." When they return, they're "Cowboys."

In Big Jake (1971), John Wayne is initially "Daddy." Finally, he is "Father."

In The Matrix (1999), "Neo" becomes "The One."

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: THE MEANING OF TIME PRESSURE

One underrated aspect of storytelling and the Hero's Journey is the use of Time Pressure. It is one of the major tools used to push a story forward [push the Hero et al to the next Threshold]. Specifically, more than simply indicating haste, Time Pressure refers to the encroaching disappearance of any opportunity to return to any (New) State of Perfection.

In Spiderman 2 (2004), Peter must quickly get on with it because MJ is moving on.

In Planet of the Apes (Greatest Films, 1968), Taylor et al must move on because the groceries run out in three days.

In An Officer and a Gentleman (1982), Lynnette tells Paula to "Come on!"

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: AFTERLIFE ACT

An Afterlife Act closes successful stories or (prepares them for continuation) by making certain aspects of the New State of Perfection explicit.

In Out of Africa (1985), Denys' burial follows a very specific pattern.

In Star Wars: Episode III - Revenge of the Sith (2005), the Supernatural Aid awaits the coming of the next generation, according to a very specific pattern.

In Conan the Barbarian (1982), Conan becomes king and lives on, according to a very specific pattern.

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: INCREASINGLY POWERFUL SUPERNATURAL AIDS

The Hero et al encounter a number of Supernatural Aids (Mentors) along their way. Each tends to be progressively more powerful than the last.

In Gran Torino (2008), Walt is more powerful than Sue.

In Scarface (1983), Sosa is more powerful than Frank.

In The Karate Kid (1984), Miyagi is more powerful than Lucille.

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: PERIOD OF DISSONANCE

During the Period of Dissonance, many of the archetypes are conflicted about the Final Decisions they have to make. This is one of the critical phases that lead to effective catharses.

In Bonnie and Clyde (1967), Moss is caught between loyalty to Clyde and his father. Similarly, Blanche is conflicted about giving away Moss' surname.

In Gladiator (2000), the soldiers watch the battle between Commodus and Maximus and are torn between loyalty to the Emperor and fairness.

In Star Wars (1977), Han decides that engaging with the Death Star is suicidal, until he relents in the last minute.

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: THE BOOK OF LAW

Upon entry into the First Threshold, the Hero is exposed to the Book of Law. These are instructions or rules given by Authority Figures on how to survive in this World, which the Hero, if s/he chooses to ignore them, does so at his (or her) peril.

In Scarface (1983), Frank tells Tony what he must do to survive as a doper long term.

In Spartacus (1960), Lentulus tells the newly arrived gladiators what they must do to survive and possibly gain their freedom.

In Goodfellas (1990), Jimmy tells Henry that, "the worst thing in this world is a rat.... ."

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: WHOLE-NEW SELF

The Hero's transformation into the New Self is incremental and the Rebirth post Near Death Experience marks the endpoint of it. [The New Self is separate and distinct from the further significant transformation to the Master of Two Worlds and Selves].

In Dances with Wolves (1990), John Dunbar's endpoint transformation is symbolized by the emerging from the tent as a fully clothed Sioux.

In Gorillas in the Mist (1988), Dian's endpoint is symbolized by admitting that she is hooked.

In The Terminator (1984), Sarah's endpoint is symbolized by emergence of the skinless terminator.

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: THE VALUE OF SEIZING THE SWORD

The Sword is a tangible representation of a number of intangibles and it is not seized without reason. One of the intangibles that it represents is de facto acceptance into the New World as a New Self.

In Dances with Wolves (1990), Two Socks' taking food from John's hand is symbolic of his acceptance.

In Scarface (1983), Mel threating Tony is symbolic of his having achieved status in the drug world.

In The Godfather (1972), Michael's marriage symbolises his acceptance as a Sicilian.

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: STATUS LADDER

One useful method of measuring the dissolution of the Old Self during the Road of Trials is to watch the Hero's status. As the Hero adapts and is accepted into the New World, so his or her status in it rises until he or she becomes a leader.

In Thelma and Louise (1991), Thelma eventually eclipses Louise and takes charge.

In The Shawshank Redemption (1994), Andy Dusfresne becomes the guards' accountant.

In When Harry met Sally (1989), Harry goes from being an unacknowledged acquaintance to a lover.

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: FISH OUT OF WATER

As the Hero enters a New World, and s/he enters many, s/he is always a Fish out of Water. This is an initial benchmark of evolution.

In Beverly Hills Cop (1984), Axel arrives in Beverly Hills and is a Fish out of Water.

In Departed (2006), both Billy and Colin are initially Fishes out of Water in the police department.

In Brokeback Mountain (2005), both Ennis and Jack Twist are Fishes out of Water when they first make their way to camp on the mountain.

In The Godfather (1972), Michael is initially a Fish out of Water when he arrives in Sicily.

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: DISSOLUTION OF THE OLD SELF

Every Hero undergoes a Transformation, a significant part of which occurs during the Road of Trials. It is here that the Hero's Old Self dissolves away.

In The Godfather (1972), Michael's Old Self dissolves away once he is in Sicily.

In Educating Rita (1983), Rita's Old Self dissolves away under Dr. Bryant's tutelage.

In The Devil Wears Prada (2006), Andy's Old Self dissolves away under Miranda and Nigel's guidance.

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: ADAPTATION

The function of the Journey is Transformation. One perspective of this is Adaptation. The Hero ventures into a New World and adapts until s/he becomes an integral part of it and "owns" an integral piece of it.

In Gorillas in the Mist (1988), Dian becomes one of the gorillas and "owns" the mountain.

In Kramer vs. Kramer (1979), Ted becomes a Mom and "owns" the kitchen.

In Educating Rita (1983), Rita becomes the archetypal student and "owns" the class.

--------------------------------------------------------------------------------------------------------

Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: DEVOLVED NAME

The Hero et al commonly have Devolved Names, which represent their Devolved Selves.

In Bull Durham (1988), Crash keeps calling Nuke "Meat."

In An Officer and a Gentleman (1983), Foley calls Zach "Mayo(nnaise)."

In The Godfather (1972), "Michael" becomes "The Don."

In The Matrix (1999), "Neo" becomes "The One."

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: EVERY HERO UNDERGOES A TRANSFORMATION IN THE FIRST THRESHOLD

Whilst Transformation is the essence of the whole story and can be traced back to the Original State of Perfection and right up to the Afterlife Act, a significant change occurs in the First Threshold.

In The Godfather (1972), before entering the First Threshold, Michael Corleone is having fun with Kay in a hotel, plans to marry her, wants nothing to do with The Family business and is safe because the other Families know he is a "civilian." Upon departure of the First Threshold, he is prepared to kill a police Captain, incite a war between the Families, will be hunted by the other Families and will voluntarily leave Kay behind and disappear to Sicily (where he will further follow the traditional path by marrying a Sicilian).

In Spartacus (1960), Spartacus enters the training camp and is taught by Marcellus. By the time he leaves, he is able to defeat him.

In The Matrix (1999), when Neo enters the Nebuchadnezzar he is a Fish out of Water. By the time he leaves, he has mastered a number of martial arts and is keen to defeat Morpheus.

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: DEFICIENT PROXIES

The Hero and Greater Antagonism are both drawn into a Hand-to-Hand battle after their proxies are exposed as lacking the required capacities to vanquish the opponent (the Superego must battle the Id – representatives will not resolve the core issue of whether the Superego has truly overcome the Deficiency).

In the Silence of the Lambs (1991), Jack Crawford incorrectly deduces the location of Buffalo Bill.

In Scarface (1983), Manny and the other men are incapable of looking after the operation when Tony is in New York.

In Dirty Dancing (1987), Johnny must return to resolve the outstanding issues.

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: THE BEACHHEAD

A good way to understand the First Threshold is to look at it as a Beachhead. It is the first foothold in the New World and this explains why certain events must take place there.

In Scarface (1983), the burger stand is the Tony Montana's first foothold in the USA.

In The Devil Wears Prada (2006), the junior receptionist job is Andy's first foothold in the fashion world.

In The Thing (1982), Macready gives the Thing it's first foothold in the station.

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: DISSOLVING AWAY THE OLDER SELF

Throughout his (or her) Journey, the Hero enters various New Worlds, each incrementally dissolving away his (or her) Old Self and building a New(er) Self.

In The Godfather (1972), Michael goes to Sicily and gradually becomes a Sicilian.

In The Devil Wears Prada (2006), Andy enters Miranda's World, and is gradually accepted in that World.

In Gran Torino (2008), Walt is brought into the Hmong World. He gradually develops an affinity for them.

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: EVERY HERO GETS A NEW NAME

Every Hero transforms from an Ordinary (Old) Self to a New Self. The emergence of the New Self is demonstrated in a number of ways. One of these is the receiving of a New Name.

In City Slickers (1991), before Mitch, Phil and Ed set off on their Journey, they're "City Slickers." When they return, they're "Cowboys."

In Big Jake (1971), John Wayne is initially "Daddy." Finally, he is "Father."

In The Matrix (1999), "Neo" becomes "The One."

--------------------------------------------------------------------------------------------------------

Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: PERIOD OF DISSONANCE

During the Period of Dissonance, many of the archetypes are conflicted about the Final Decisions they have to make. This is one of the critical phases that lead to effective catharses.

In Bonnie and Clyde (1967), Moss is caught between loyalty to Clyde and his father. Similarly, Blanche is conflicted about giving away Moss' surname.

In Gladiator (2000), the soldiers watch the battle between Commodus and Maximus and are torn between loyalty to the Emperor and fairness.

In Star Wars (1977), Han decides that engaging with the Death Star is suicidal, until he relents in the last minute.

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: DEPARTURE OF THE SUPERNATURAL AID

Once the Supernatural Aid has successfully guided and helped to transform the Hero, it is common for him or her to depart.

In A Fistful of Dynamite (1971), John dies at the end.

In Midnight Cowboy (1969), Ratso dies.

In The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005), Aslan departs.

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: MEETING THE ORACLE

The Oracle is that entity which guides the Hero towards the tangible (Sword), which represents the many multiple intangibles (Expansion of Consciousness, New Self etc…).

The Oracle can be literal. In The Matrix (1999), a literal Oracle guides Neo towards the choice he must make.

The Oracle can be an inanimate object. In Alien (1979), the Oracle is Mother the computer.

Or the Oracle can simply be metaphoric for any event that pushes the Hero in the required direction. In Scarface (1983), Tony's interaction with Sosa leads to him working for himself.

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

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Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: ENHANCED CAPACITIES

Post the Dragon Battle (a metaphor for obstacles that guard the Sword, which is itself a metaphor), the Hero et al experience an Enhancement of Capacities.

In Stand by Me (1986), all the boys feel invincible after dodging the train.

In Platoon (1986), Taylor feels able to follow and stop Barnes, who wants to kill Elias.

In Out of Africa (1985), Karen is no longer scared of the jungle after the battle with the lions.

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: INNER RESOLVE = LETTING GO

In the Final Conflict, the Hero faces an Unbearable Antagonism that forces him (or her) to draw out Inner Resolve. This leads directly to the Letting Go.

In Return of the Jedi (1983), Luke shows he is stronger than Vader (after Vader threatens Leia).

In Cinderella Man (2005), Jim Braddock starts to win (after it appears his opponent will win).

In The Matrix (1999), Neo plays with the bullets (after it appears that the odds are against him).

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: RUPTURE

Rupture (or Physical Separation) is that stage of the Journey where the Hero is (often forced) out of the First Threshold and into the Deeper New World. There is often a Physical Marker symbolising the Crossing to the Newer Self and the Breaking with the Older Self.

In Dances with Wolves (Academy Award Winner Best Film, 1990), John Dunbar leaves the fort and ventures to the Indian village.

In The Godfather (100 Greatest Films, 1972), Michael leaves New York for Sicily.

In Raging Bull (1990), Jake gets married, has kids and gains weight.

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: STARTING AS A FISH OUT OF WATER

It is common for the Hero to begin his (or her) Journey as a Fish out of Water. This is because s/he does not often begin the Journey in the Ordinary World but arrives from the Another World.

In Platoon (1986), Taylor simply arrives in Vietnam.

In Dead Poets Society (1989), the boys simply arrive in their new school.

In The Quiet Man (1951), Sean simply arrives in Ireland on the train.

--------------------------------------------------------------------------------------------------------

Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: LOSING ATTACHMENTS

As the Hero ventures into the New World, s/he gradually loses attachments that represent the Old World and the Old Self.

In Gorillas in the Mist (1988), Dian gradually loses the attachment to her old boyfriend.

In Kramer vs. Kramer (1979), Ted gradually loses the attachment to his old job.

In Educating Rita (1983), Rita gradually loses the attachment to her husband.

--------------------------------------------------------------------------------------------------------

Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

Kal Bashir's 510+ stage Hero's Journey (Monomyth)

The 510+ stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 510+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

[simply go to http://www.screenplay-structure.com/ or http://www.story-structure.org/ or http://www.heros-journey.info/ or http://www.monomyth.info/ for full details]

HERO'S JOURNEY TIP OF THE DAY: THE CASTLE

The Castle is that tangible, often an edifice, which grows as the Hero grows; it represents the Hero's evolution in the New World and as the New Self.

In Yojimbo (1961), the bar/restaurant is initially bare and then becomes fuller and warmer as The Samurai evolves.

In Gorillas in the Mist (1988), the camp is initially bare but becomes fuller and warmer as Dian evolves.

In Scarface (1983), Tony's increasing comfort in and mastery of the nightclub mirrors his evolution as a doper.

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Go to http://www.clickok.co.uk/index4.html for more info on the 510+ stage Hero's Journey....

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