188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Foreshadow of the Inner Cave*****

Foreshadows are underestimated. In Brokeback Mountain (2005), Ennis says, "....you may be a sinner but I ain't yet had the opportunity...."

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Unbearable Antagonism*****

The Hero will suffer an Unbearable Antagonism that will force his hand (and push him past the stage of Lack of Commitment). In Star Wars (1977), storm troopers kill uncle Owen and aunt Beru. In The Incredibles (2004), Mr Incredible sees a person on the street being mugged. This causes him to snap.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Time Pressure*****

The Hero (and the story) has no time for the Hero's procrastination (stage of the Lack of Commitment post the Sacred Meeting with the Supernatural Aid ).

Some form of Time Pressure is initiated, which manifests itself in various forms, including.

Antagonism Strikes. Often, an Antagonism will increase the urgency of the Journey and resolution. In The Matrix (1999), Neo is pursued by the agents, interrogated and implanted. In Lord of the Rings (2001), the demon army are born.

Challenge Imperative. Or one of the other challenges will come to the fore. In Spiderman 2 (2004), MJ is moving on.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Antagonist's True Nature*****

The Antagonist, who ultimately is not unlike the Hero, reveals himself. In the Bond Franchise, this is often where the villain reflects on his motivations.

Mirror Image. It often turns out that the Antagonist is known to the Hero; is a shadow or mirror of him or similar. In Spiderman (2002), the Green Goblin reveals himself to Peter Parker - he is Harry's father. In Return of the Jedi (1983), Vader takes off his mask to reveal his true self to Luke. In Scooby Doo, we always knew the Antagonist was amongst us.

Deceit. But the Antagonist (normally) is naturally evil and intends on certainly vanquishing the Hero. He (or she) commits a deceit that will result in the Hero's death (or wrestle control from him). In Spiderman (2002), the Green Goblin deceives Peter and plans the final kill.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Meeting the Hero*****

Not necessarily the first scene, but pretty early on we tend to meet the Hero and important secondary characters. In Straw Dogs (1971), we meet David and Amy. The Hero often has "a quality." In Brokeback Mountain (2005), Jack sees something in Ennis.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Foreshadow of the Sword*****

The Sword is a tangible representation of the Expansion of Consciousness (an intangible). The Hero must attain the tangible to attain the intangible. There is often a Foreshadow of this Journey. In Straw Dogs (1971), Norman shows Charlie Amy's knickers.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Inner Challenge Demonstrated*****

Post the Physical Separation and before the Trials, the Inner Challenge is demonstrated. In Bonnie and Clyde (1967), Clyde tries to make love to Bonnie, but he doesn't know how.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Supernatural Aid's Ordinary World*****

The Supernatural Aid will invite the Hero into his Ordinary World. The Supernatural Aid often is not a passive bystander, but has his own challenges to conquer. In Spiderman2 (2004), Aunt May has severe money problems. In Silence of the Lambs (1991), Hannibal Lecter must escape his cell.

The Supernatural Aid may have his own Mentor(s). These Mentors help the Supernatural Aid overcome his own challenges. In Crouching Tiger Hidden Dragon (2000), Li and Shu Lien have their own mentor is Sir Te.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Conquest of the Romantic Challenge*****

The conquest of the Romantic Challenge is the Hero's Reward (post the Rebirth through Death). This is what is commonly referred to as the Mystical Marriage.

Rewards are referenced. In Dances with Wolves (1990), Kicking Bird's wife brings up the topic of John's relationship with Stands with a Fist.

Obstacles to the Reward are referenced. In Dances with Wolves (1990), Kicking Bird's wife discusses the mourning.

Removal of Obstacles is normally straightforward. In Dances with Wolves (1990), Kicking Bird tells Stands with a Fist that she can stop mourning. In Star Wars (1977), Luke swings to the other side of the bridge, Leia in his arms.

Rewards are given. In Star Wars (1977), Leia gives Luke a kiss. In Dances with Wolves (1990), John Dunbar and Stands with a Fist marry.

Sex. The boy gets the girl, of course.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Physical Marker to the Oracle*****

A physical marker to the Oracle (or one that separates the Hero's World from that of the Oracle) is not uncommon. In Straw Dogs (1971), David opens the cupboard door to find the dead cat.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Polarization*****

It is during the stage of the First Trial that the Hero and Shape Shifter begin to polarize. In Bonnie and Clyde (1967), Bonnie doesn't like Blanche.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Leaving the First Threshold*****

Upon leaving the First Threshold, a New Self is slowly becoming apparent. The Hero leaves behind the Old Self. Often this is expressed by a Change of Clothes. In Bonnie and Clyde (1967), Bonnie puts on New Clothes and is dressed nicely now.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****No Going Back*****

The beginning of the Road of Trials often sees the Hero's path backwards closed off. In Brokeback Mountain (2005), Jack Twist wants to get a job on Brokeback again, but Joe doesn't let him.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****The Purpose of Allies*****

Allies exist, not because the Hero needs friends, but to serve particular story functions, the most important of which is to help develop the Hero and help him (or her) through the Transformation:

Reflect the Hero's Character. In Casablanca (1942), Ferrari offers Sam a pay rise to leave Rick's Bar. He refuses.

Demonstrate that the Hero is superior from Ordinary Men. In Butch Cassidy and the Sundance Kid (1969), Sundance is a loveably fearsome character yet is loyal to Butch.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Final Conflict - Reward or Celebration*****

Post the birth of the New Self, a reward is received. Remaining Challenges are conquered. In Bonnie and Clyde (1967), Bonnie and Clyde finally have sex. Bonnie has an orgasm.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****New World of the Transformation*****

It is not unusual for the New World of the Transformation to be made explicit and developed before the hero engages in the Trials and Transformation. In Walk the Line (2005), Johnny moves straight from succeeding at the audition to singing in front of a crowd, where he meets June Carter. In Gladiator (2000), Maximus is brought into Proximo's World.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Impossible Dilemma*****

Before facing the Antagonist (past the Crossing of the Return Threshold), the Hero will have to overcome an impossible dilemma. In Spiderman (2002), Peter Parker has to save the people in the lift or Mary Jane - he cannot do both simultaneously. In Gladiator (2000), Maximus defeats his opponents even though he has been stabbed and is dying.

Failed Hero. An alternative Hero may attempt to tackle the Antagonist (or the Impossible Dilemma) and be mowed down, enhancing the magnitude of the challenge.

Time Pressure becomes acute for some reason. In Goldfinger (1964), the nuke goes off in less that 3 minutes.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Time Pressure*****

Having established the Hero in his (or her) Ordinary World and his (or her) Challenges, it is quite common for there to be an urgency to embark on the Journey and Transformation. This manifests itself in a number of ways, including:

The Antagonism demonstrates his (or her) evil. The need for a resolution becomes ever more urgent. In Spiderman (2002), Norman Osborne kills his fellow scientist.

One of the characters initiates a Speed Call. In An Officer and a Gentleman (1982), Lynette tells Paula to "hurry up!" In Romancing the Stone (1984), Mrs Irwin is in an awful rush.

A Pull pushes the Hero et al forward. In Titanic (1997), Jack has to run to the ship, which is about to leave. In Little Miss Sunshine (2006), the radio announces that the contest in only days away.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Middle Cave*****

The Middle Cave, whichever it is (First Threshold, Road of Trials or beyond) is where the Hero confronts Allies and Enemies. In Straw Dogs (1971), the Major arrives in the pub and refuses a drink from Tom. This is also where subplots are developed (which are after all, the Allies and Enemies' Challenges). In Straw Dogs (1971), Tom and Norman warn John about his brother.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Magical Gift*****

The Mentor most often provides the Hero with a Magical Gift (In Wall Street (1987), Carl Fox simply gives Bud Fox some money). But the criteria is satisfied if the Magical Gift is simply made explicit. In Bonnie and Clyde (1967), Clyde shows Bonnie his gun.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Journey to the Inner Cave*****

Symbolism in underestimated. In Brokeback Mountain (2005), Ennis moves into camp. A symbolic indicator of progression of Journey.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Stage of the Inner Resolve*****

Post the Unbearable Antagonism, with newly gained Inner Resolve, the Hero claws back lost ground. In Return of the Jedi (1983), Luke shows he is stronger than Vader. In Cinderella Man (2005), Jim Braddock starts to win. In The Matrix (1999), Neo plays with the bullets.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Pull Back*****

Trial 1 often sees the Hero being pulled back to the Ordinary Self. In Brokeback Mountain (2005), Ennis likes to have sex with Alma from behind.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Magical Aids Disappear*****

Post the Crossing of the Return Threshold and before the Master of Two Worlds and Selves, a hell of a lot happens that is rarely given mention. The Final Conflict (a metaphor for this stage) follows a distinct process. During the hand-to hand battle, the hero loses all magical aids. This is after all a confrontation between his own id and super-ego and he (or she) must demonstrate that he is able to conquer it without assistance. In Straw Dogs (1971), David's gun refuses to fire.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Inner Cave*****

This is where the Hero confronts (but does not conquer his Inner Challenge). It is not unusual to find death her. In An American Werewolf in London (1981), Jack is killed by the werewolf and David is bitten. In Pulp Fiction (1994), this is where Mia overdoses and Vincent fears what Marcello will do. In Superman (1978), Clarke's foster father dies; who will mentor him now?

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Foreshadow of the Sword*****

The Sword is a tangible representation of the Expansion of Consciousness (an intangible). The Hero must attain the tangible to attain the intangible. There is often a Foreshadow of this Journey. In Straw Dogs (1971), Norman shows Charlie Amy's knickers.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Fish out of Water*****

Here, on arrival into the Great Cave of the First Threshold, it is demonstrated that the Hero is obviously out of his depth, a Fish out of Water. In Star Wars (1977), Luke is obviously a Fish out of Water in the bar.

Being a Fish out of Water means the Hero is reacted to in particular ways:

Unwelcome. The Hero and his accomplices are made to feel decidedly unwelcome. In An American Werewolf in London (1981), the pub landlady refuses courteous service.

Unfriendly. The inhabitants are unfriendly. No one wants to know you if you don't fit in.

Differentiation. Those who do fit into this world will establish their suitability for it and the unsuitability of the Hero. Often symbols are used. In Star Wars (1977), one of the criminals is wanted in several star systems and shows his scars.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Meeting the Oracle*****

The Oracle's job is to send the Hero toward that place where he can retrieve the tangible representation of the Expansion of Consciousness. The Oracle has, perhaps, the capability to defeat the Antagonism but this is really for the Hero, as the Antagonism is ultimately the Hero's own id. In Straw Dogs (1971), Charlie asks David to go hunting; he agrees.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Journey to Trial 2*****

The Journey to and from one physical location to another must be undergone. Each location represents a new element of the psychological transformation. In Bonnie and Clyde (1967), Moss makes Clyde pull over by the river.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Physical Marker*****

The Physical Separation is marked by a Physical Marker. In Romancing the Stone (1984), Jack and Joan have to cross the rope bridge across the gorge. In Butch Cassidy and the Sundance Kid (1969), both have to jump into the river down below to escape their pursuers. In The Godfather (1972), Michael 's killing of McCluskey is all over the news.

Resisting the Physical Separation. The decision to Transform is often not taken lightly. There is resistance to crossing the Physical Marker. In Butch Cassidy and the Sundance Kid (1969), both have to jump into the river down below to escape their pursuers (Sundance: "I can't swim." Butch: "Why you crazy, the fall will probably kill you.")

Preparing to Physically Separate. In Dances with Wolves (1990), John is tired of waiting to engage with the Indians. He decides to introduce himself.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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...bye the bye, it took only 2 times reading your work to buy (not 17).

...bye the bye, it took only 2 times reading your work to buy (not 17).

Thanks,
Kip
-----
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No virus found in this outgoing message.
Checked by AVG Free Edition.
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09:24

188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Newer Self*****

A further incremental change occurs here [past the Road of Trials] and some symbol of the Newer Self presents itself.

New Clothes. In An Officer and a Gentleman (1982), Zach is wearing the white officers uniform. In Romancing the Stone (1984), some clothes are torn off Joan.

New Behaviour. In Romancing the Stone (1984), Joan drinks and smokes, something she wouldn't normally do.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****World of the Sword*****

The World of the Sword (and getting there) contains specific characteristics, including:

Dangerous Place. The Sword will lie in a dangerous place, often at the heart of the Antagonist's world.

Perilous Journey. The journey to it is dangerous.

Suicidal. The journey is embarked upon against the greatest of odds.

Below the Earth. The Sword lies deep underground (in the tombs of Hell); consequently the environment is dark and uncomfortable to Creatures of the Day.

New World and New Creatures. Like all New Domains, this one also contains unfamiliar, magical creatures and behaviours.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Belly of the Whale*****

This is a place where the Hero confronts who he is, what he must do or become. In Brokeback Mountain (2005), Ennis says, "...You know I ain't queer...." And then goes to bed with Jack in the tent.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Celebrating the Physical Crossing*****

A celebration marks the Crossing into the World of the Transformation. In Bonnie and Clyde (1967), Bonnie isn't worried that they've shot someone, she's happy about it [in the cinema].

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at http://www.clickok.co.uk/index4.html) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Antagonist's Aids*****

It is not unusual for the Antagonist's Mentors or Lieutenant's roles to be made explicit at this stage (post Trial 3 and the conquest of the Outer Challenge). Conquering them will, after all, be one of the Final Catharses. In Star Wars (1977), Vader defers to Governor Tarkin. In Empire Strikes Back (1980), Vader defers to the Emperor. In Goldfinger (1964), Bond must deal with Goldfinger and the fearsome Oddjob. In Die Hard (1988), John Maclane must deal with Hans and the ferocious Karl. In Beverly Hills Cop (1984), Zack is demonstrably more vicious than Victor Maitland.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (all available at www.clickok.co.uk) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Magical Gifts*****

Magical Gifts (often given by a Mentor or Supernatural Aid) do not have to be Harry Potter's Wand or Ruby Slippers. In Brokeback Mountain (2005), it is simply a set of guns.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

--------------------------------------------------------------------------------------------------------

188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

<b>THERE IS ONLY ONE STORY</b>

<b>THE HERO'S JOURNEY:</b>

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Sirens of the Coming of The One*****

Previous to the Seizure of the Sword, some communication will reveal that the Hero is imminently about to gain the Expansion of Consciousness, an Enlightenment. In Dances with Wolves (1990), the women know that the there is something between John and Stands with a Fist.

Antagonists attempt to prevent this. In Star Wars (1977), Tarkin explicitly states that they must not be allowed to get away.

The Antagonists realise that the Hero's Expansion of Consciousness will lead only to conflict between them. In Star Wars (1977), Vader feels a disturbance in the force. He knows Obi Wan is near.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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188 stage Hero's Journey (Monomyth)

The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

<b>THERE IS ONLY ONE STORY</b>

<b>THE HERO'S JOURNEY:</b>

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

and more...

*****Herald's Journey*****

The Herald is the bringer of the Call to Adventure or better, The Call to Transformation. But his (or hers) can be a minor story in itself. The Herald often demonstrates certain characteristics, including:

Sent by the Township. In Armageddon (1998), Nasa sends the special agents to bring back Bruce Willis.

Time Pressure. The Herald is usually under extreme Time Pressure to bring the Call to Adventure to the Hero. In Romancing the Stone (1984), Mrs Irwin is rushing home. In Armageddon (1998), there is only so much time before the meteor strikes.

Pursued. The Heralds are often pursued. In Star Wars (1977), the 'droids are followed by stormtroopers.

Multiples and Death en route. It is not unusual for the Heralds to travel in pairs or groups. In Troy (2004), many riders seek him. Often this demonstrates the urgency and danger of the Journey, as not all Heralds survive.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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188 stage Hero's Journey (Monomyth)

*****Master Plot*****

There is a theory that there are a finite number of Plots (Tragedy, Rags to Riches, Rebirth. Man vs Machine, Man vs Environemnent etc). If you deconstruct these, you will find that they all reduce to the Hero's Journey, which is the Master Plot. This is because all Plots can be reduced to Transformation and the Hero's Journey IS the Process of Transformation.

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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188 stage Hero's Journey (Monomyth)

*****Interdictions*****

These are physical limitations and punishments given by an Authority Figure (Interdictor) that prevent the Hero from embarking on the Journey and Transformation. In Star Wars (1977), Uncle Owen wants Luke to wait another harvest; when Luke goes missing, "there will be hell to pay..." In The Incredibles (2004), the government bans all superhero activity. The interdiction is further enhanced by Mr Incredible's anal boss ("if you act you'll be fired!")

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Go to http://www.clickok.co.uk/index4.html for more info on the 188+ stage Hero's Journey....

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